A billionaire software-genius named Harold Finch creates a Machine for the government that is designed to detect acts of terror before they can happen, by monitoring the entire world through every cell-phone, email and surveillance camera. Finch discovered that the machine sees everything, potential terrorist acts and violent crimes that involve ordinary people. When the government considered violent crimes between normal people "irrelevant", Finch built a back door into the system that gives him the social security number of a person involved in a future violent crime so he could act. Partnered with John Reese, an ex-CIA agent, the two work in secret to prevent violent crimes before they can happen. Eventually their activities lead to being hunted by the New York Police Department, CIA Agents in pursuit of Reese who was listed as dead, a computer hacker named Root who wants access to the Machine, and government officials who want to keep all knowledge of the Machine a complete secret.
An ex-assassin and a wealthy programmer save lives via a surveillance AI that sends them the identities of civilians involved in impending crimes. However, the details of the crimes–including the civilians' roles–are left a mystery.
I'm up to season 3 and I see no change in style so if you like non-stop flying bullets and explosions here you go. For the most part the plots are well written and the 'big brother' watching….as in George Orwell…not the TV show, drives it all quite successfully. Some episodes however….too frequently as the series moves on, are SO ridiculously implausible that I had to jump forward. Example…aggressive leading reporter has her life threatened by mob and just barely escapes with help of our hero however 1 day later, in the middle of a gun battle where she has been caught again by mob she escapes….AGAIN with our hero's help and while battle goes on in background, takes the time to read incriminating 20 page document she was looking for. Too bad the writers couldn't believe in the solidity of the main plot concept without the need and need to inject as much explosive overkill excitement as possible into every 44 minute episode. My verdict….entertaining but don't watch more than 2 eps at a time and be ready to NEED to suspend any semblance of plausibility….it has no place in this drama. Not worth the 8.5 it gets but worth a solid 6.5 I feel I must write an update after seeing another complete season. This is THE MOST ANNOYING show I have seen in years. Some episodes are completely brilliant while, unfortunately the very next one plays like it was written by a gun-crazed 14 year old. Situations only fit for the very gullible or the video game enthusiasts it makes for very uneven entertainment. It's very obvious that the writers ran out of fresh material around episode 13 of the first season and the rest is just a REHASH of everything we've already seen. If this is your new favorite show you won't likely appreciate anything more sophisticated than this so enjoy.
If John was more of a bad-ass, maybe like Jack Reacher or Steven Seagal, Person of Interest would not be 8 or 9 or 10, it would be 110, in other words fantastic. John gets his butt kicked too much. You never know if he's going to prevail and maybe that's why small minded thinkers think people like the show better, but that's wrong and easily proven wrong. Make John like Reacher and watch the reviews go up and up. People our days like the hero and winning, not the almost or delayed hero that recuperates, sometimes for months before coming back - that's boring. I love it when Reacher says "in 30 seconds you will be wearing these handcuffs" or Seagal fights so efficiently he never loses and you know going to beat the crap out of his opponents. What makes it more better to see your hero lose? That's why the largest crowds follow a team who has never lost in NCAA playoffs, etc.

It is based on a screenplay developed by J. J. Abrams and Jonathan Nolan, which is inspired by movies like Enemy of the State, The Bourne Identity, and particularly Minority Report. The idea for the show came about long before Edward Snowden and Prism story came out. The show also contains the usual &quot;cop tv drama&quot; elements.It was revealed at the end of season two that Finch was injured in the ferry explosion that killed his friend Nathan Ingram. He has been seen in flashbacks to have spent time using a wheelchair for sometime afterwards, in 2010. It wasn&#39;t just his leg that was injured, his cervical vertebrae was affected and he has pins in his neck from spinal fusion surgery, as shown in an early season one episode. Finch limps and has trouble turning his neck. The Machine applies differently colored boxes in order to categorize the people it observes. Boxes can change as the Machine re-evaluates its assessment of the individuals it monitors.<br/><br/>White box: Individuals the Machine is currently monitoring, but who do not pose an immediate threat.<br/><br/>White box with red corners and crosshairs: Indicates imminent/ongoing violence by the indicated individual.<br/><br/>Red box: Relevant threats and individuals who pose a threat to the Machine or one of its administrators.<br/><br/>Yellow box: Individuals who know about the Machine.<br/><br/>Black box with yellow corners and crosshairs: Individuals who know about the Machine and communicate with it. The Machine designates these individuals as an &quot;analog interface&quot;. Root is the only known analog interface now.<br/><br/>Blue box: Members of government teams; the scope of this box is unclear, but includes agents acting on &quot;relevant&quot; numbers.<br/><br/>Wheeled vehicles (such as cars, trucks and buses) are coded based on status of individual passengers within.<br/><br/>Starting in Season 3, the boxes are slightly modified to have solid vertical lines rather than dashed ones, along with a central target identifying the vehicle being monitored.<br/><br/>The Machine also categorizes and marks watercraft and aircraft.<br/><br/>Boats, ships and ferries are assigned a white diamond. (Seasons 1 and 2)
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